Encapsulated by its paradox:

"I could be bounded in a nutshell and count myself a king of infinite space ..."

A templated tonal lattice crystallising differently on each rendering.

I play a bansuri derivative made of carbon fibre. This has a greater tolerance of atmospheric extremes and allows for superior tonal control whilst retaining a bamboo-like timbre.

Building upon the work of my late guru Pandit Clive Bell, I am developing a flute aesthetic based upon the sovreignty of Raga with other expressive concerns subservient to that goal.

Recordings are in the Dagar Dhrupad style - a minimalist and cerebral gharana that dates back many centuries.